The Great Hall
The Great Hall is the quintessential Brooklyn warehouse venue, that’s anything but. A massive and soaring space, its exposed beams and brick walls evoke a familiar industrial aesthetic while containing boundless possibilities for transforming the space. An array of moving lights shine down from high in the ceiling, while a two-level platform gives a viewpoint over The Great Hall’s enormous dance floor.
Our stage is typically built on a per show basis, and is flexible in size up to 60’ x 32’.
DJ Stage: 48’ wide x 12’ deep x 15’ high with 4’ x 8’ cuts on each side for step units
Concert stage is 48' wide x 28' deep x 4’ high, with step step units off USL and USR
Please note, we have a flexible stage size. Any increases in stage sizes could result in production kills and should be discussed with the promoter ahead of time.
Current measurements are 12’ x 16’ @ 24” on wheels, tiered for audio and lighting . The front side houses audio, while the back houses lighting and video.
Company Switch: Great Hall Guest – [400 amp] (off USL, 25ft)
Company Switch: Guest Lighting/Audio (Shared with outside space) – [400 amp] (off USL, 50ft)
There are a small amount of Edison (120v) and L6-20 (208v) circuits available in the ceiling, though most are on the
upstage wall. There are NO edision circuits available on the floor, and must be run via a distro from stage.
House audio and lighting use existing circuits and are not included in the above counts.
AUDIO - GENERAL
Main PA All audio provided by KV2 Audio.
For more information, please see: http://www.kv2audio.com/ .
Main Hangs (L/R VHD5.0 Constant Power Point Source System)
Each VHD5.0 contains (1) VHD5.0 Mid Hi [3-Way 8x 10”, 6x 8” and 3x 3” CDs], (3) VHD5.0 Low Mid [8x 10”] (1) SL412 downfill [3-Way 4x 12”, 1x 8”, 1x 3”] Enclosures Each hang powered by matching VHD5000, VHD5000S, and SL3000 amplifiers.
Subs- VHD Series -Stage front contains (40) VHD4.18 [1x 18”] Sub Enclosures and (12) Active VHD2.21 [2x 21”] Sub Enclosures VHD4.18 subs powered by matching VHD3200 amplifiers.
Stage Front Fills- VHD Series -(2) VHD1.0 [1x 12”, 1x 8”, 1x 3”] VHD1.0 cabinets powered by matching VHD2000 amplifiers. *VIP Fills -Each HL VIP floor contains (1) EX10 [2-Way 1x 10” & 1x 1” CD] and (1) EX2.2 [2x 12”] Sub Enclosure
FOH (monitors driven from FOH console)
Aztec Audient Analog 52-channel Analog Console with Dual-redundant power supplies
12 auxiliary outputs configured as eight mono and two stereo sends; eight subgroup outputs and a 12œx8 matrix.
12 assignable VCA groups. The input channels feature in/out switchable four-band equalization. The high-mid and low-mid filters are fully parametric, and the "treble" and "bass" filters are frequency-sweepable and provide a switch to select bell or shelf modes. All input channels also have a sweepable 12 dB per octave high-pass filter just after the input amplifier stage.
Audient Aztec Manual
We do not currently have any outboard gear for our FOH console
AUDIO - FOH Processing
4 Lake LM44 Digital Audio System Processor
2 SDD3 Super Digital Delay Line
5 SAC2 Super Analog Controller - 2 channel 5
Each side contains (1) ESR212 Cabinet [3-Way 2x 12”, 1x 6” and 1x 1” CDs] and (4) ES1.8 Sub Enclosures [1x 18”] Each side is powered by matching VHD3200 and ESR3000 amplifiers.
Control and Atmosphere
GrandMA 2 Full Size (V188.8.131.52)
2 Le’Maitre Stadium Hazer -sACN control input for Guest Consoles in FOH booth
House lighting fixtures utilize 4 universes of DMX
LIGHTING - Fixtures
20 Martin Axiom Hybrid
36 Clay Paky Sharpy
11 Chauvet Ovation E-910 FC
36 Degree (Architectural)
There is currently no video or IMAG installed in this room.